Coming July 29, 2025. Available for pre-order:
UK:
Canada:
Australia:

An Oral History of Atlantis

A deadpan, wildly imaginative collection of stories that slices clean through the mundanity and absurdity of modern life, from the author of the Los Angeles Times Book Prize–winner and Pulitzer Prize finalist Same Bed Different Dreams

In “Machine City,” a college student’s role in a friend’s movie causes lines to blur between his character and his true self. In “Slide to Unlock,” a man comes to terms with his life, via the passwords he struggles to remember in a moment of extremis. And in “Weird Menace,” a director and faded movie star discuss science fiction, memory, and lost loves on a commentary track for a film from the ’80s that neither seems to remember all that well.

In Ed Park’s utterly original collection, An Oral History of Atlantis, characters question the fleetingness of youth and art,reckon with the consequences of the everyday, and find solace in the absurd, the beautiful, and the sublime. Throughout, Park deploys his trademark wit to create a world both strikingly recognizable and delightfully other. All together, these sixteen stories have much to say about the meaning—and transitory nature—of our lives. And they are proof positive that Ed Park is one of the most insightful and imaginative writers working today.

Praise

“Park’s delightful tales, which are driven by provocative ideas, strange occurrences, and gripping plots, pay tribute to the legacy of Kurt Vonnegut in the best ways. This pitch-perfect collection will linger in readers’ minds for a long time.”
Publishers Weekly (★ starred review)

“To speak of Park’s creativity is also to speak of his humanity—empathy is a function of the imagination, of course, and it makes sense that a mind capable of dreaming these worlds and sisterverses would also be able to endow them with spirits as vivid and complex as our own. It’s dazzling, this steady carousel of delight and stunned awe. Park is one of the funniest writers working today, and among the most humane.” —Kaveh Akbar, New York Times–bestselling author of Martyr!

“The James Joyce of Korean-American literature, and of our times.”    —Ilyon Woo, Pulitzer Prize–winning author of Master Slave Husband Wife

An Oral History of Atlantis is a snapshot of who we are and where we are, as well as an offbeat map to where we might dare to go. The stories are mordant, inventive, heartbreaking, and above all else, profoundly human, and I’m already looking forward to a re-read.”
Paul Tremblay, New York Times–bestselling author of Horror Movie and A Head Full of Ghosts

“Ed Park is a magician of storytelling. These stories explore the multiplicity of time and space—artistic, historical, and psychological—and confront once and again the shapeshifting border between reality and unreality. With sly humor and deep understanding, Park makes the reader laugh from disquiet, and tear up from being seen.” —Yiyun Li, author of Wednesday’s Child

“Park infuses his debut story collection with the same extraordinary inventiveness that made his novel Same Bed Different Dreams (2023) a Pulitzer Prize finalist … Throughout his 16 stories, [he] deftly upends quotidian expectations, encourages discomfort, and presents surreality with biting humor.”
Booklist (★ starred review)

“What’s the collective noun for a school of stories so bright and brilliant, they ripple with humor, compassion, and wonder? Call them an ‘Ed Park.’ An Oral History of Atlantis will continue to delight us, long after the flood.”
—Samantha Hunt, author of The Dark Dark

“Funny, tragic, winsome screwball science-fiction prose poetry of ‘maximum lexical density’ that’s pure pleasure to read.”
—Sarah Manguso, author of Liars

“[Park looks] for the ways that human idiosyncrasies manage to poke up to the surface even while technology tries to keep us tidy and algorithm friendly … A collection that revels in its quirks, smart and sensitive in equal measure.” Kirkus

“In his new story collection, Park, the author of two approachably surreal novels, sends his reader on a set of mind-opening trips, drawing absurd connections and inventing wacky situations: A narrator’s girlfriend insists on wearing a ‘housecoat’ at home—a ‘sort of down-filled poncho with stirrups’; a man turns on his laptop one day to see his ex-wife walking across the screen. These oddball scenarios may make you laugh, but they can just as easily have you questioning your place in the universe. In ‘Machine City,’ an undergrad is fascinated by meta works of art—books within books, smaller paintings depicted within larger ones. He wonders whether the ‘interior’ work is less authentic than the one in which it’s embedded. And if a painting can contain a painter painting another painting, ‘could we ourselves be paintings, painted by some larger, divine painter—i.e., God?’ He can’t stop asking himself these kinds of questions, which won’t help him get into law school. Even when Park writes about mundane experiences—his stories chronicle time spent online, on college campuses, and in post-divorce apartments—he is taking us someplace new.” — Maya Chung, The Atlantic